What web pages they linger over, stands they visit, even how much coffee they drink (at physical events) and what subjects get their hearts racing. Art professionals today struggle with this important, actually fundamental, equivocation. The last few decades have seen the increasing role of technology within exhibitions. The link between physical space and events has already been broken - will physical space ever matter again? How can we design virtual events that earn the full attention of attendees? Rather than define a static national identity, their independent and complex works seek to breathe life into an open territory that is constantly changing, emphasizing the role of artistic and architectural practice in producing a space that is truly contemporary, consmopolitan and global. Singapore Design Week One of Asia's premier design festivals that champions design thought leadership. Leverage virtual exhibitions and tradeshows for the long run Currently, VR requires users to don a headset, and while untethered versions are now available, in the future, there will be no barrier to immersion at all. – should be reinvented. Zoe Swanwick looks back at her recent experiences in French exhibitions to find the future of the gallery experience. Events 2050: The future of events and exhibitions. How can virtual events compete with free alternatives like YouTube and Zoom? Saturday September 5 2020, 2:40pm. Future Exhibitions . Imagine you’re walking into a large room. Whatever technological developments occur in that time, we don’t think that is likely to change in the next 30 years. Future Exhibitions. Intelligent facial recognition software - using deep learning algorithms - could completely transform the exhibitor/attendee relationship matrix. This switch to physical to virtual places new emphasis on technologies like VR, AR, AI and robotics. ); the issue of the ongoing reconstruction of democracy, which involves both the social and the political dimension of art (Democracy in the Present Tense); the tension, conflicts, violence and even wars that are entangled in the processes of the unfinished emancipation of the oppressed (Unfinished Emancipation); the small problems that afflict everyday life (How to Live with Small Problems); the environmental crisis and the subject of the environment (Too Warm for Bears?). Virtual sessions that allow the event to transcend geographical boundaries and time will make for a more inclusive experience, with technology allowing a degree of connectivity we can still only begin to imagine. Hosts could immediately know who a delegate is, their professional histories, hot and cold points, and whether they’re just dropping by to say hello, or in the market for business. Will the nature of networking have changed beyond recognition? It is an urban museum, an architectural icon conceived by one of the most visionary and boldest architects of the late twentieth century. Covid-19 has had a dramatic impact on businesses around the globe. With your support, we hope to unveil these exciting, new science exploration experiences at The Discovery very soon! Events act as the intersection between commerce and communication. In terms of architectural typology, it appears more as an airport terminal rather than a classical museum. Technology has the power to accelerate and facilitate, but not alter, the fundamentals of an outstanding event experience. - using deep learning algorithms - could completely transform the exhibitor/attendee relationship matrix. This allows the institution to play a significant role in the cultural exchanges between individuals, communities, and, in particular, nations, and to explore the possible evolutions of a global scene of creativity. By 2050, a significant proportion of on-the-ground events and exhibitions jobs could be staffed by robots. For example, an aerospace manufacturer wishing to impress an international delegation with a tour of their latest model will no longer have to rely on 360° videos displayed on a screen. Millennial mindsets, for instance, are geared towards personalisation in meaning, technology, storytelling, community. Design affects all aspects of our lives and holds the possibility of changing the very nature of human life itself. Despite having been part of numerous exhibitions, the format adopted at this event was a completely new experience to us. This process is addressed to the formation of a new creative social life or a new public life. What web pages they linger over, stands they visit, even how much coffee they drink (at physical events) and what subjects get their hearts racing. A network of supporters, to increase the permanent Collection, to protect the conservation of the works and to offer our public a quality cultural programme. Interactive exhibit encouraging visitors to add marine litter and plastic they found on the beach to a lobster pot in an exhibition called 'Stranded' at National Maritime Museum Cornwall, Falmouth, 2014. Engaging exhibits enable visitors to develop a deeper understanding of how science fiction ideas and concepts might become the science reality of tomorrow. Address 111 Middle Road Singapore 188969. galleria 4 By 2050, we could see this advance to intelligent systems making minute adjustments in lighting, background music - even scent - through connected sensors that respond to an audience’s changing mood. By 2050, hybrid events will be the norm. Location-aware branded hologram characters could materialise when you are nearing a particular stand, encouraging you to stop by. A blurring of the line between work and personal life. MAXXI’s Collection represents the museum’s founding element and it determines its identity. While many robots and drones are still controlled manually (through a smartphone or wearable), Amazon’s Scout delivery robots use AI. We look forward to welcoming you to MODA when we reopen to the public. It has the power to transport delegates outside the conference hall, completely altering the dynamics of product demonstrations. Nevada is a reimagined presentation of the content currently in Nevada Stories. Please check back regularly! The Challenge Prodigio created the ”Exhibition Futures Challenge” to provide a solution to keep our industry moving forward. And, Building a Communitydemonstrates the force of creative communities in the development of civil society. They allow like-minded people to create relationships, share ideas, and interact with brands in new and exciting ways. If not, and our recent experience shows that digital events can deliver results, then the future is limited only by our imaginations. Using this data, predictive analytics will be able to predict what your consumers want before they ask for it. In contrast to AR, which concerns itself with the meeting of digital and physical, VR promises to take users to an entirely alternative space and time. In other words, MAXXI was founded and developed so that it could become a new Roman Forum of the twenty-first century, in which the values of democracy and its artistic expressions can be produced, shared, and constantly reinvented via the fusion of creative practices between the museum and the city. Read the full story of the explosive era of art and pop culture explored in “Writing the Future: Basquiat and the Hip-Hop Generation,” the first major exhibition to contextualize Jean-Michel Basquiat’s work in relation to his peers associated with hip-hop culture. But now, looking ahead, it is time for technology to play an even larger scope through live streaming, virtual design space walks, demos etc. Museologically, it incites us to navigate through a completely open, undefined, therefore, uncontrollable, structure in which all forms of activities – exhibition, collection and public interaction, etc. In cases where it would be beneficial for an entire department to attend, but a company can only afford to send one key delegate, an entire team could experience the event remotely, perhaps even appearing as and interacting with other delegates via intelligent avatars. In its programs of exhibitions, public events, and educational activitiers, MAXXI has accentuated the importance of the social commitment of the community of artists and architects facing the challenges of a new reality in an era characterized by the globalization of Neoliberal capitalism, geopolitical conflicts and environmental crises. Contemporary art and architecture are the result of this intense yet paradoxical reality. According to Facebook - not to mention the global phenomenon of Pokémon Go - AR is the next transformative technology, with every major company in the world interested or involved in its development and application. At the same time, it is necessary to state that innovation, when applied to a broader field of life, goes well beyond science and technology. are already in development), to invisible touch points that remind you when your next session is and how long it will take to get there (even now. Nevada. Away from Home: American Indian Boarding School Stories June 17- August 16, 2021 | Maslow Galleries. Future Exhibitions The Harn Museum of Art is dedicated to offering as much information as possible about our upcoming exhibitions in order to assist in planning your visit and to encourage collaboration with university and community partners. Across the country and even around the world, many physical events are still on hold. The Getty Center. Can art exist in a pure form (Art in Its Pure Form)? What Will the Future of Exhibitions Look Like? What emerges is a profound link between artistic creation and contemporary reality, also underlined by the collaboration with the ANSA Agency, which has contributed to creating a powerful image-based account of the main events of the decade. As such, the fundamentals of a successful event are twofold: the right people and the right information. In a certain sense, the technological sphere is replacing the artistic one more and more, offering what is known as an “immersive experience.” This experience is easy to use and therefore perfect for consumption. Passages in Italian Art at the Turn of the Millennium. populated, staffed, and run by realistic humanoids? At the moment, our physical and digital worlds are, for the most part, separate entities. Furthermore, almost everything a delegate does during an event will be. In the art world as well, two opposite trends paradoxically live together: on the one hand, the need to incorporate new technologies, and, on the other, the affirmation of human primacy over technological control. AI has the potential to make the interpersonal experience seamless and constructive for all parties, whether meeting in actual or virtual space. In looking to the future of the exhibitions and events industry, the IAEE Board of Directors created a Future Trends Task Force made up of senior industry professionals and chaired by Francis J. Friedman. Furthermore, almost everything a delegate does during an event will be measured. curated by Hou Hanru with MAXXI curatorial and research team. The Atlas on display explores the different “worlds” presented at MAXXI: the Mediterranean basin manifested by way of an overview of the some of its most creative cities, such as Teheran, Istanbul, and Beirut (Il Mediterraneo/ The Mediterranean); the global scene observed in its interaction with the local conditions (“Glocali / Glocals”) and based on a twofold perspective for geographical contexts and monographic exhibitions devoted to international artists, groups, and independent spaces (Moltitudine globale/ Global Multitude). It’s dark and quiet. The Museum is closed. The MAXXI Architettura collection comprises all those artefacts and documents that, in various ways, represent the material and conceptual complexity of architecture. Events act as the intersection between commerce and communication. The event feedback loop will be instantaneous, meaningful and inherently implementable. This is even more true in our own day and age, which is dominated in an unprecedented manner by technology. National Design Centre. Man has never ceased to seek for a certain safe-haven beyond material progress – it’s called spirituality, or mythology, or religion. Are you running a virtual event and looking for advice? Eventually, through this progess, Man can triumph over God, and replace Him. And the result of this has been the birth of a new type of aesthetic pleasure based on sensational reactions. Interested in future proofing your event technology, why not. As an exhibitor at TravelRevive, we were allocated our own booth. The web of everyday ‘smart’ devices is increasing all the time - from toothbrushes to televisions. Future Exhibitions and Installations. Events 2050: The future of events and exhibitions Topic: Insight / 22nd September 2020 The pace of change - both technological and sociological - has never been faster than it is today as the whole world adapts to the restrictions Covid-19 is placing on how we connect and move around. This permanent exhibition is created in collaboration with teamLab, a renowned interdisciplinary art collective. Location-aware branded hologram characters could materialise when you are nearing a particular stand, encouraging you to stop by. It will be a pervasive technology, underpinning almost every aspect of the event experience, from the logistical - ticket sales, venue and transport booking, and attendee management - to the experiential. Coming soon. On a more practical note, VR could also transform the democratization of events. And if Mark Zuckerberg’s predictions on, prove fruitful, then all it will take is for an attendee to. MAXXI explores and presents the ways in which artists active in Italy contribute to the evolution of a national creative scene. APOLLO KARKANEVATOS. Hosts could immediately know who a delegate is, their professional histories, hot and cold points, and whether they’re just dropping by to say hello, or in the market for business. By 2050, AI will no longer be discussed in excited tones as a concept, add-on feature, or hot topic. Ideas don’t stop Then, all of a sudden, colours and music ambush the scene. All these efforts are closely connected to the destiny of the individuals and the communities that defend independent thinking, action, and creation, namely, the artists. Future Exhibition. But what about the generations after them? How close are we to Westworld-style events populated, staffed, and run by realistic humanoids? MAXXI is a museum dedicated to the twenty-first century arts, namely, contemporary art, architecture, design, and other creative practices, whose definition is being constantly broadened and reinvented. In the 2010 survey ‘Convention 2020’ participants were asked to envisage life in 2020, and select which factors would encourage them to attend a conference or exhibition. For example, an aerospace manufacturer wishing to impress an international delegation with a tour of their latest model will no longer have to rely on 360° videos displayed on a screen. This exhibition was originally intended for the 2020 NCECA Conference in Richmond, VA, which was cancelled due to the COVID-19 Pandemic. Instead, they will be able to offer visitors the opportunity to walk around the aircraft, touch its engine (because, by 2050, haptic technology will be widespread too) and take a VR test-flight, all from the exhibition floor, thousands of miles from the factory. For events to compel and connect, organisers need keep up with the pace of change, and contribute to its conversation. The trade show of the future uses content at the event cleverly to increase FOMO in those attending online. The last chapter in this section is devoted to institutional collaborations (Il MAXXI nel mondo, il mondo nel MAXXI/ MAXXI in the World, the World in MAXXI). It’s hard to say, but the robotic revolution may be closer than we think. The real value of AR for events lies here, in the gamification of an otherwise work-related exhibition - in other words, making the experience. The Pink Room allows visitors to peruse the archive materials, with interventions by the artists and curators involved in the exhibition activities. Massive Change is an exhibition grounded in a provocative proposition. Within this context, the dialogue with technology and science is reputed to be the most important aspect of the social function of contemporary creative practices, as well as a factor of great appeal for the public. Meanwhile, as tech moves, so do the generations attached to them. What we do believe is this. Using this data, predictive analytics will be able to predict what your consumers want before they ask for it. MAXXI is a global institution. The Future City Lab is the innovative, interactive culmination of New York at Its Core, the Museum of the City of New York’s three-gallery signature exhibition. New cultural and political identities are forged, resulted from the dynamic and conflictual interactions– made up of contrasts, connections, and entanglements– between Italy / Europe and the rest of the world, from the Mediterranean to the Far East via other continents. JAPAN HOUSE Los Angeles is proud to present “SOU FUJIMOTO: FUTURES OF THE FUTURE,” a showcase of over 100 models and large-scale photographs of past and current projects by the celebrated Japanese architect. SOF high school students are exempt from most Regents Exams as the school is a member of the Consortium and has a waiver from the state that allows SOF students to show mastery in a core subject by completing an exhibition. The second part of this atlas investigates this dimension “beyond,” the human being’s constant wondering why and how he or she needs to believe (Deus in Homo). From October 2015 the display is permanent with several pathways. With the my MAXXI card experience the museum full time: unlimited and preferential access, reduced rates to participate to cultural programmes and educational activities. By 2050, we could see this advance to intelligent systems making minute adjustments in lighting, background music - even scent - through connected sensors that respond to an audience’s changing mood. As a technology, its application to the event experience is thrilling. The White Room is a muffled room where visitors can examine all the publications that have been produced by the museum. ‘Quality of networking’ (76%) and ‘seeing the very latest developments in my sector’ (69%) came out top. It’s hard to say, but the robotic revolution may be closer than we think. As a result, an increasing number of organizers are turning to online events and exhibitions (or virtual trade shows) to ensure they can still connect with interested consumers around the world. September 2, 2020. In recent centuries, unanimous consent, regardless of the type of political and ideological regime, has involved all the technological innovations: believed to be a sign of progress, they have been welcomed and embraced by the masses not just as an instrument for a better life, but also as the trophy of political and cultural achievement. Future Exhibitions. As a truly contemporary museum, MAXXI has constantly and systematically sought to deal with some of the essential questions of the artistic practice: how real is art? Here are the five main trends we think will shape the events and exhibitions industry in the year 2050. What’s even more important, it’s a museum that transgresses the border between an artistic institution and the city where it is located. Currently, VR requires users to don a headset, and while untethered versions are now available, in the future, there will be no barrier to immersion at all. The Yellow Room presents the museum’s oral history, featuring interviews with the people who have been a part of the museum’s everyday life. How can art change reality? This is a frivolous example of course - the implications of this kind of brain-computerization are vast, with the potential to change the very nature of how our internal processes are communicated externally. increased turnover to $46 million between 2016 and 2019. already offer a great deal for customer service; but artificially intelligent chatbots will be the norm in 2050. Ditkofsky believes the future of trade shows is as hybrids of digital and physical events running concurrently. It’s a question of seeking imaginative thoughts and of proposing alternative actions, so as to be able to explore and understand the world in a truly “reliable” way. Amplifying content in the right way, showcasing connections, broadcasting surprising moments are all tactics that will secure attendance for the foreseeable future. Every 30 minutes starting from 10am. We’re currently working on a pair of exciting permanent exhibition. We predict that by 2050, almost every object we encounter at a physical event will be intelligent, connected, and designed to anticipate and respond to attendee’s needs. This is especially the case in the events industry, which has pivoted from a base in physical space to one in cyberspace. Will events even need a physical venue? This is a frivolous example of course - the implications of this kind of brain-computerization are vast, with the potential to change the very nature of how our internal processes are communicated externally. VISIT. What could that mean for events? Will the nature of networking have changed beyond recognition? This first Atlas unfolds in three chapters: Urbi et Orbi, Upper hand Vs lower hand, and Museum Street / Street Museum,which respectively present the mapping of the process of mapping the coordinate function of the museum as a hub of urban culture, the dialectics between urban planning and everyday life, and the interaction and fusion between the museum and the city where it is located. With comfort and convenience covered by smart devices, delegates will be able to focus their sole attentions on the social and business experience of the event. How can virtual events compete with free alternatives like YouTube and Zoom and how can we design virtual events that earn the full attention of attendees? The Getty Villa. What could that mean for events? We will continue to update our future exhibition pages as plans and programs are solidified. From signposts that offer personalised directions (reactive traffic signals are already in development), to invisible touch points that remind you when your next session is and how long it will take to get there (even now, some venues use Apple iBeacons to send this information directly to participants’ phones), connected technology will remove any element of manual scheduling and labour - a factor that often turns an otherwise immersive event experience into a cumbersome logistical one. Opening hours Everyday 9am to 9pm. The real value of AR for events lies here, in the gamification of an otherwise work-related exhibition - in other words, making the experience fun. A passionate work of research, reflection and debate on the first decade of the 21st century, through the point of view of MAXXI. To appeal to these, organisers will need to rewrite the exhibition rulebook. These questions are at the heart of the Atlas, which deals with some of the most pressing challenges imposed by today’s reality: the complex interaction between globalization, the economy, work, and migration that defines the contemporary utopia (Whose Utopia? While collaborative and networking sessions may be hosted in a physical environment, these may not be the focal point of the event. Massive Change: The Future of Global Design is an exhibition that changes the way you think about design, similar to how contemporary design is changing the way we live in the world. They stem from two opposing drives: the former concerns the creation of something out of nothing, while the latter involves the derivation of something from something else. follow us online. Opening Spring 2021 (Date TBD) Bike to the Future. Nonetheless, there does indeed exist some confusion between artistic creation and technological innovation. The product of several craftsmen including a joiner (woodworker) and an upholsterer, this extraordinary French armchair embodies the era’s refined sense of comfort and style. The Getty Center. Visitors are invited to explore the colourful rooms, let themselves be carried away, lose themselves in a galaxy of images, sounds and projections and be an active part of this “collective brainstorming”. The mission of organising this explosion of ideas and stimuli in space was entrusted to the renowned Dutch studio Inside Outside by Petra Blaisse. A Lot of People Coming Together And if Mark Zuckerberg’s predictions on augmented intelligence come true, and Elon Musk’s work on ‘neural linking’ prove fruitful, then all it will take is for an attendee to think about how welcome a cocktail after a busy day networking would be before one is delivered, mixed exactly the way they like it. about how welcome a cocktail after a busy day networking would be before one is delivered, mixed exactly the way they like it. In 2050, might the keynote speech at an Astronomical Society convention be hosted on the moon, or a wildlife conservation meeting in the middle of the Kalahari? This is a particularly significant point in our time, when globalization and its impacts need to be rethought in a radical and critical way. In the 2010 survey ‘. 30 years from now our events and exhibitions will be attended by. This will happen on the tradeshow floor - whether virtual or a building - allowing attendees to choose when and where they access learning during their busy agendas. published by EN September 29, 2020 The first Exhibitions Think Tank (ETT) has launched its final report, which gathered the insights of more than 150 global industry professionals to set out recommendations for the future direction of the exhibition industry. Use the form below to book a free one-hour conversation with our team. Indeed, creativity, when it seeks a utopian perspective, cannot be separated from the life of the real world. to send this information directly to participants’ phones), connected technology will remove any element of manual scheduling and labour - a factor that often turns an otherwise immersive event experience into a cumbersome logistical one. Reflecting on the future of exhibition design. ’ participants were asked to envisage life in 2020, and select which factors would encourage them to attend a conference or exhibition. The future of exhibitions is hybrid. by Zoe Swanwick. The Lab invites you to consider the big challenges facing New York City today and to imagine approaches and solutions for a better future. This chapter of the Atlasunfolds in four sub-chapters: Piazza Italia!offers an overview of the complexity of “Italian imaginary”. This exhibition explores off-reservation boarding schools in its kaleidoscope of voices. The event feedback loop will be instantaneous, meaningful and inherently implementable. But we stay open. While driverless cars are yet some way from dominating our roads, we think it is realistic to assume a 30-year outlook where VIP pickups are booked automatically, and driven autonomously from airport to venue.
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